‘Atlanta’ Season 3 Finale: How Writer Stefani Robinson Dissected Van’s Emotional Turmoil Despite his association with Marie Antoinette, there are limits to how much she is willing to extend herself in the face of her waning popularity. The chevalier soon finds out that talent alone can only carry him so far in a society that remains focused on the color of his skin. Joseph also vies to become the head of the Paris Opera and challenges his main competition to a duel of composing the superior opera. He has eyes for opera singer Marie-Josephine (Samara Weaving), who is married to the powerful Marquis Montalembert (Marton Csokas, “The Last Duel”). His quick rise to prominence affords him fame, wealth and a libertine lifestyle, but his ambition seemingly knows no bounds. In a fencing match, Joseph impresses Marie Antoinette (Lucy Boynton), who in turn anoints him Chevalier de Saint Georges. ![]() The youngster manages to get through the door on the strength of his playing, but he must endure his peers’ brutal beatings. The optics seem to be the issue, though La Boissière does bring up the valid point that Joseph will have a hard time fitting in. Headmaster La Boissière (Ben Bradshaw, “The Office” UK) is reluctant to enroll Joseph, a mixed-race child of a slave, born out of wedlock. ![]() ![]() The story then resets to Joseph’s childhood, with his father, plantation owner George Bologne (Jim High, “Knightfall”), dropping him off at a music conservatory. ![]() ‘Watchmen’ Producer Stephen Williams and ‘Atlanta’ Writer Stefani Robinson Team on ‘Black Mozart’ Biopic at Searchlight
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